Whenever we go out on the streets for a “Face the Truth” Tour, we can always count on someone happening by our display to tell us that by showing the pictures of abortion victims in the public square, we’re doing more harm than good.
This is a charge we’ve heard often enough that we address it as one of the most common objections we hear.
In our response to this oft-raised argument, we point out that throughout modern history, any number of successful social reform movements — from the movement to enact child labor laws to the civil rights movement — have used disturbing images that depict victims of maltreatment and violence, and that public support for the reforms these movements sought could not have been garnered without publicly showing these images.
Putting a Human Face on the Victims
The intent behind displaying pictures of children killed by abortion is the same, of course, for it puts a human face on the victims of what is, for far too many people, merely a theoretical concept or political issue. Our friend Jonathon van Maren of the Canadian Centre for Bio-Ethical Reform makes this point cogently in his new book, Seeing Is Believing, which we wholeheartedly recommend.
Lewis Hine, for instance, believed it was necessary to show victims of cruelty of the child labor industry, and Mamie Till believed it was necessary to have an open-casket funeral for her son Emmett after he was brutally murdered by violent racists.
We display pictures of abortion victims for the same reason: because they work. That is, in the eyes of the viewer, the images elicit sympathy for the victims of injustice.
In the case of reform movements that have employed the use of victim photography in working to effect social change, it perhaps goes without saying that one commonality these movements share is that it is members of the movements themselves that are the ones who initially seek to disseminate them.
However, a movement closely associated with one of the martyrs whose feast day the Catholic Church celebrates this coming Thursday (November 23) provides an exception to this rule.
The Murder of Blessed Miguel Pro, S.J.
Beginning in 1924, Mexico was ruled by the virulently anti-Catholic President Plutarco Calles, who began what Graham Greene called “the fiercest persecution of religion anywhere since the reign of Elizabeth.” Chief among the many Catholic groups who vigorously opposed Calles were the Cristero rebels, whose story is depicted in the 2012 film For Greater Glory.
One of the most well known Cristeros, Blessed Miguel Pro, S.J., was falsely implicated in an assassination attempt on former Mexican President Álvaro Obregón in November 1927, which provided the Calles regime with the pretext for ordering his death.
Father Pro was executed 90 years ago this week. Before the firing squad was ordered to shoot, he raised his arms in cruciform and shouted the cry of the Cristeros, “Viva Cristo Rey!” (“Long live Christ the King!”) After the first shots of the firing squad failed to kill him, a soldier shot him point blank in the head.
Calles, seeking to cow other Cristeros into submission, had the execution photographed, and newspapers throughout Mexico carried pictures of the executed priest on their front page the next day. (As George Weigel has observed, Blessed Miguel Pro was likely the first martyr ever to be photographed at the very moment of his death.)
But Calles’ plan backfired. Instead, the images of Pro’s murder further emboldened the Cristeros to stand up to his oppressive regime.
An Exception to the Rule
This instance of a public display of graphic images of violence is unique in that the initial act of displaying the images was done by the perpetrators themselves, and not by sympathizers of the victims. Yet the act of displaying these shocking images still played a major role in combating injustices committed by the perpetrators, proving that regardless of the motivations behind displaying graphic images of violence and injustice, their effect is the same.
Pro-Life Action League National Director Joe Scheidler has often remarked that seeing a picture of an aborted baby in the fall of 1972 — just a few months before the Supreme Court’s Roe v. Wade decision — was the impetus for him to commit himself to full-time pro-life work.
Along these same lines, I can’t tell you how many times we’ve heard from passersby at our Face the Truth demonstrations comments along the lines of, “I had no idea what abortion was until I saw your signs.”
Because of the overwhelming evidence that graphic pictures do elicit sympathy for the victims of injustice in the eyes of the public, we can surely be confident of their inestimable value in the fight against abortion.